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The first new CD in 13 years from the award-winning singer-songwriter and Native American activist includes DVD bio documentary and marks Appleseed’s 100th release!

Buffy Sainte-Marie has been running for the drum practically her whole life, pursuing its internal call to life, love, independence, creativity and activism. That drumbeat has led her to multiple careers and finally drew her back into the recording studio to create Running for the Drum, her first new recordings since 1996.
Since her recording debut 45 years ago, Sainte-Marie’s original songs have attracted cover versions by artists including Elvis Presley, Barbra Streisand, Janis Joplin, Cher, Roberta Flack, Neko Case, Courtney Love, and seemingly half the folksingers of the 1960s. Her co-written “Up Where We Belong,” the theme from the 1982 movie An Officer and a Gentleman, won her an Academy Award and a Golden Globe Award.
The multi-talented Sainte-Marie recently shifted her focus from her work as a visual and digital artist, an educator, and a Native American sociopolitical activist to record Running for the Drum in her home studio in Hawaii. With musician Chris Birkett as her co-producer, as he was on her last two CDs, including Up Where We Belong (1996), Buffy crafted eleven original songs and an expanded version of “America the Beautiful” into what she calls her “usual whiplash collection of many styles – pop, protest, country, rock, dance-remix, rockabilly and big love songs.”
Using electronic samples and drum programming as well as more conventional instruments, primary musicians Buffy (keyboards, percussion, guitar) and Birkett (guitars, bass, percussion) match their music to Buffy’s eclectic songs. Her contemptuous putdowns of corporate greed (“No No Keshagesh,” which Buffy performs in a new video posted on YouTube) and the political establishment (“Working for the Government”) are set to whirling electronica and wailing “powwow” vocals, as is the jubilant “Cho Cho Fire.” There are contrastingly gentle arrangements of love songs “Too Much is Never Enough” and “Still This Love Goes On”; a boisterous “I Bet My Heart on You” features Buffy and guest Taj Mahal dueting on pianos; the quietly comforting “Easy Like the Snow Falls Down”; an amped Elvis approach to “Blue Sunday,” and appropriately acoustic treatments of “America the Beautiful,” outfitted with new lyrics to reflect the Native American community, and a lovely re-recording of a Sainte-Marie classic, “Little Wheel Spin and Spin.”  
Packaged with Running for the Drum is a DVD documentary, Buffy Sainte-Marie: A Multimedia Life (Cine Focus and Paquin Pictures). The biography traces Buffy’s fascinating path from her birth on a Cree reservation in Saskatchewan to her early success in the Greenwich Village folk scene, her subsequent musical and political activism, which earned her a spot on the government’s blacklist, and to her current role as artist, educator, unstinting activist and timeless musician. Directed by Joan Prowse, the documentary includes interviews with such influential artists as Joni Mitchell, Robbie Robertson, Bill Cosby, Randy Bachman, Appleseed labelmate Eric Andersen, and Steppenwolf’s John Kay.
Buffy will embark on a North American tour this summer to support her new CD, and Appleseed plans to reissue four older Sainte-Marie albums within the next year.
The last time Buffy Sainte-Marie released a new album, Appleseed Recordings was only a recurring dream to music-loving lawyer Jim Musselman. Her latest CD marks Appleseed’s 100th release. Founded by Musselman in 1997, the 12-year-old independent label specializes in a roster of creatively vibrant and often politically active musicians from the past five decades, including Pete Seeger, Tom Paxton, and Sweet Honey in the Rock. Appleseed also planted the seeds for Bruce Springsteen’s “Seeger Sessions” recordings and tours earlier this decade with its series of multi-artist tributes to the music of the folk and political icon. “We are more than a record label,” says Musselman. “We are a vision, in many ways using music as a tool of social change and peace.”

About Buffy Sainte-Marie
It’s no coincidence that Buffy Sainte-Marie’s first album, released in 1964, was entitled It’s My Way! As a Native American born on a Cree reservation in Saskatchewan and raised in Maine and Massachusetts, Buffy was a cultural outsider from the start, following her own creative instincts. “I was always a musician,” she told writer j. poet. “I remember playing piano when I was three. It became my substitute for the Barbie dolls that interested other kids. I was a recluse, in love with animals, art, dance, writing and music . . .”
Her interests and achievements have never stopped. She has continued her academic life, adding a PhD in Fine Arts to her resume; she lectures at colleges and civic venues on an array of topics including film scoring, electronic music, Native American studies, women’s issues, and the Cradleboard Teaching Project, which involves enriching the learning curriculum with Native American perspectives. An early Macintosh pioneer in digital art and music, Buffy’s huge electronic paintings are exhibited in numerous museums and galleries. Juxtaposing her traditional cultural heritage with modern technology, Buffy Sainte-Marie has become a model of unquenchable artistry and activism.